February 22nd, 2012

I just received and had the opportunity to review the newest release, Two In The Morning, by The Eric Hughes Band. This new release is made up of 14 tracks showing influences from rock, blues, country, funk... a little bit of everything. The recording starts off with Did You Have To Take The Dog Too?, a comedic tale of breakup. There's a nice harp breakout in this song (and consistently throughout the release). Holler If You Hear Me adds a little funk to the blues and has a great little guitar burst from Brad Webb to break things up. Muddy Waters Records another tale of break up and a man being separated from his blues records. The tune follows a Muddy Waters format and is overlaid with some cool harp work.Along Came You has a strong bass line and voice trace guitar line that is very effective. Chevy 2-Door is a man and his resonator singing about leaving. A pretty cool song. Volkswagen Blues is a more traditional blues song in the manner of Elmore James, just acoustic and bass, my favorite on the release. The Eight Fifteen is a straight forward Chicago style blues track. The Eight Fifteen of course is a train and gives Hughes to blow the harp a bit. Very nice. Keep Your Mojo Hid is an acoustic country style blues. Breaktime At The Briar Patch is a cool swingin' song with cool harp work on the top. Furry's Gravesite Blues is another twisted humorous song demonstrating creativity and some cool finger picking. Wet Ribs is a real nice harp solo to end a really solid recording.

February 21st, 2012

I just received the new release, Memphis Livin, by Billy Lavender. It's a real strong release overall. It has a rock blues flavor overall but great guitar blues riffs and harmonica work throughout. It opens with Singin The Blues, a blues rock tune with some pretty tasty slide work by Brad Webb. Another track, Let's Party is an uptempo blues track with strong vocals by Reba Russell (who sounds quite a bit like Bonnie Raitt in quality. She is again backed by great guitar and harp work. Just Chillin is a real funky track with real effective key backing by Russell Wheeler. The track gives the band a chance to stretch out a bit on their own. Cool track. Each artist gets a chance to step up. Cold As Ice is the down and dirty "T Bone Walker" type song and my favorite on the release. Vince Johnson harp does his best work on the release and Billy steps up a little on guitar and also plays some tasty soloing. Get Along has a country honky tonk or Jerry Lee Lewis type flare. It's a real strong track. Blue is more of an ethereal song which puts the sounds of CSN on track with Brad Webb showing his chops on sitar which is actually quite effective. Shake It is right out of the can Chicago Blues. It comes off blasting with harp and never turns back. Billy steps up here with some great guitar riffs as well. Bad Boy is a strong blues rock track with solid guitar work and of course the band always sounds tight. 3AM is another track where the band gets to stretch a bit and Billy takes full advantage of the opportunity with his guitar and Vince Johnson's vocals and harp work set the groove. Delta Time wraps up the release with an Albert King like tune really getting down in the "Bad Side" groove. This is a very cool tune with plenty of guitar to end the release and leaves you wanting more. If you get the chance, check this release out!

February 16th, 2012

I just received and had the opportunity to review a new release by Willie Foster called My Inspiration. This is a CD about a real bluesman's music... Willie James Foster. From the handwritten name on the old van door to no legs, still playing them blues..even on the very night he died. He never made too much money or did the killer big money gigs. He was the blue collar or workingman's bluesman. - Brad Webb
This is a pretty cool little package. Not over polished Chicago blues sung rom the heart. Foster pens and plays 11 tracks on this cd playing harp and covering vocals. He is backed by Micky Rogers (Guitar), Skeeter Provis (Guitar), Donnie Brown (Bass), Mike Dill (Drums), Robert "Nighthawk" Tooms (Piano), Brad Webb (Guitar) and Russell Wheeler (B-3). The first track shoots out of the can with Let Em Talk, along the lines of "Messin' With The Kid" laying down a nice harp solo. Why Babe lopes along again with cool harp licks and cool guitar riffs. Found Me A Lover shows Foster's patience as a blues artist singing with great comfort and playing harp as a backing instrument. Born In The Delta is a great slower blues song and one great to highlight each musicians chops. Great tune! Leland Shuffle is a great instrumental track highlighting Mickey Rogers on guitar. Lonely Man again shows not only continued great vocals but particularly strong instrumentals from both Nighthawk on harp and Brad Webb on slide guitar. Foster plays each song with conviction and feeling. If you like Chicago blues style check out this recording. This guy means business.

February 5th, 2012

I have just had the opportunity to review Fred Saunders newest recording I Believe and it's definitely worth the listen. Fact is I've listened to it a number of times. This 10 track release is written or co written by Sanders and his years of playing with BB King, Albert King and Bobby Blue Bland were obviously not in idle. Saunders puts out a strong release of diverse styles blues. The opening track, Stop Foolin' Around has a strong Texas swing. Another track, I Think About You Baby has a little New Orleans flavor with some tasty guitar soloing. Time Out takes this to the next step with an all instrumental number and the band gets to stretch out a little. Very nice! Let's Dance has a creative style which moves between a soulful ballad and the jazz blues feel of Otis Rush' All Your Love . Don't Know What To Do is modeled out of the T-Bone Walker songbook and is a pretty strong Texas blues. The guitar soloing is creative but not overactive. Possibly my favorite track on the release. Blue Bolero is more of a funky jazz jam and an interesting exploration into the bands roots. Wake Up is a cool song... puts me in mind of Albert Collins. A really strong track. Hey Come On is a straight up boogie... Texas style but with less guitars that we would typically associate with contemporary Texas blues players. The release wraps it up with Red Eye Gravy, again with a funky new Orleans flavor. Another chance for the band to jam it out and stretch a bit on their instruments.

This is a fine blues album and one that I feel most of you would enjoy.

January 20th, 2012

This Mississippi harmonica man spent the height of his career in St. Louis and Chicago, and is best known for his off-and-on role with Muddy Waters. But in 1963, he returned to the Delta to take care of his ailing father and stayed there until the early ’90s, when he toured again briefly; in his last years, he stuck even closer to home and played rarely. Yet he was still a surprisingly spry harmonica player, with a bright tone and sure rhythmic flair, when he cut this album in 2000, a year before his death at age 79. Though his mournful vocals could be predictably weak and wobbly, that mostly just reinforced his lowdown persona on songs like “Janie on My Mind.” He also still knew how to put together a band, with a pair of perfectly complementary guitarists here in Charlie Ricker and Skeeter Provis. They help the boss tear it up on the opening instrumental ‘Just Messin’ Around,” and Foster’s also full of energy on “Promise Me Love” and “Willie’s Boogie.” This is arguably the last great live album done by a traditional bluesman.

Read more: http://wp-tools.ny.emusic.com/music-news/review/album/willie-foster-live-at-airport-grocery/#ixzz1lMxLVSGt

January 15th, 2012

January 3rd. 2012

December 16th, 2011

MARKEY

I-55 PRODUCTIONS

ROCK ME--COMIN' HOME--WHEN IT RAINS, IT POURS--SWEET CORRINA SHINE

Ms. Markey is a tremendously-talented singer-songwriter who has performed with everyone from Sinatra to Andy Williams. She won the Nashville Blues Award for Best Female Vocalist in 2011, and recently signed with I-55 Productions. They have released her four-song EP entitled "Markey," which gives listeners a little taste of what's to come, with her full-length CD due to hit the streets early in 2012.

She starts it all off with a sexy, sultry and not-so-subtle request of all potential lovers to "Rock Me like a song." Some deep-fried harp and Delta slide fuel her vocal on the joyous "my baby's Comin' Home." "Sweet Corrina Shine" uses the classic Bo Diddley beat to tell the tale of a girl who might be a latter-day version of "Fancy" from years back. And, our favorite was her slow-burnin' vocal on "When It Rains, It Pours," a tribute to the flood victims from 2010.

Markey is a dynamite vocalist who writes songs with the same power and passion that she sings with. And, she bakes a great Christmas cookie, too!!! Until next time....Sheryl and Don Crow

Reviewed by Nashville Blues Society

November 30th, 2011

Robert "Nighthawk" Tooms & Wampus Cats " Spectator Shoes"

He aquí otro veterano de la escena de Beale Street, Robert ‘Nighthawk’ Tooms, quien lleva mas de treinta años paseando sus blues a lo largo y ancho del país, sin parar de trabajar, ya sea como miembro de la Reba Russell Band, grupo con el que toca desde 1991, o con su propia banda, The Wampus Cats. Robert Tooms es un excelente pianista, teclista, armonicista y cantante que imprime a la música que interpreta su propio, particular y original sello. ‘Nighthaw’ Tooms contagia con su especial forma de interpretar el blues al público que lo escucha, cimentado este a base de un fraseo sobrio, sereno y atractivo, ya sea con el piano, el Hammond-Suzuki, e incluso con la armónica, instrumento con el que al parecer se siente también cómodo y a gusto. Once canciones, de las cuales siete están escritas por el propio Robert Tooms, componen un álbum correcto y entretenido, que espero os deje un buen sabor de boca. MUY BUENO. Here comes another Beale Street scene veteran, Robert "Nighthawk" Tooms, who for more than thirty years has given his blues across the country, working either as a member of the Reba Russell Band, he plays with since 1991, or with his own band, The Wampus Cats. Robert Tooms is an excellent piano, keyboards, harmonica player and singer who gives his own special stamp to the music he plays. 'Nighthaw' Tooms spreads the blues to different audiences with his special way he has to perform blues, based on  a restrained, cool and inviting phrasing, either on piano, the Hammond-Suzuki, and even the harmonica, an instrument he also seems to feel comfortable with. Eleven songs, seven Robert Tooms’ own ones, round up a good delightful album, I hope will leave on you an excellent impression. VERY GOOD.

Reviewed by Vicente P. Zumel
Radio PICA - La Hora del Blues
Apartado de Correos 12.085
08080 Barcelona - Spain

November 21st,2011

Fred Sanders " I Believe"

Fred Sanders es un bluesman de la vieja escuela y aunque para muchos su nombre no les diga gran cosa, es un verdadero referente del blues en la escena de Memphis, donde lleva más de cuarenta años en activo interpretando el blues por todos los rincones de la ciudad, pues Fred nunca ha tenido un no para tocar los blues. Mr. Sanders es todo alma y pasión cuando se pone al frente de un escenario y esa pasión y ese orgullo por interpretar el blues ha sido transmitido nota a nota en este formidable álbum que habla y dice mucho en favor de la música de este hombre. Con su innato talento musical Fred Sanders contagia ilusión y ganas en todas y cada una de las diez canciones del disco, gracias a su poderoso y enérgico discurso, acompañado por una serie de músicos que conocen el alma y el oficio de esta música que nos apasiona. Esta es pues una de las mejores razones para que consigáis una copia de este cd titulado, “Believe”. ¡A disfrutar amigos!. MUY BUENO. Although his name will be rather unknown, Fred Sanders is an old school bluesman and a true outstanding name of Memphis blues scene, where he has been active for more than forty years, playing the blues in every corner of the city, as Fred has never had one not to perform blues. Mr. Sanders communicates a deep passion when he is on stage in front of a bunch of musicians. This amazing pride for playing blues has now been perfectly gathered in every single note of this outstanding album that says much good things about the music he does. Fred Sanders spreads joy and love with a natural musical talent in every one of the ten songs included in the album, thanks to his powerful energetic speech, perfectly backed by some very professional musicians who really know the spirit of the music we really love. This is one of the best reasons to get a copy of this cd entitled "Believe". Enjoy it, my friends!. GREAT.

Reviewed by Vicente P. Zumel
Radio PICA - La Hora del Blues
Apartado de Correos 12.085
08080 Barcelona - Spain

November 17th, 2011

I picked up the Billy Lavender CD last week and it seems to be stuck in the CD player of my car. Not literally but figuratively. Every time the CD finishes it starts over and it starts off with Singing the Blues and before you know it I’ve listened to the whole CD again.

That’s how it started but now I’m finding I’m really hooked. I love a Memphis sound in the blues. While the Mississippi Delta is considered the birth place of the blues there is no doubt Memphis, the commercial center just north, was responsible for giving the rest of us access. I have a feeling there is a lot of great music in Memphis but it doesn’t leave often.

I plan to go to Memphis this summer and I’m thinking there is probably something wonderful about being in Memphis and that is probably what kept Billy Lavender a secret and also inspired this break out album that I think we’ll be hearing frequently as the media picks up on this talent. Here is a video of Memphis Livin by Billy Lavender. I wonder if its representative of the life Billy’s been living in Memphis singing the blues?

Billy Lavender’s Memphis Livin CD is a virtual showcase of many Memphis talents. There is hardly room for anything else on the CD back cover. Here are a few of the more recognizable names:

Vince Johnson – Harmonica and vocals

Dan Cochran – Bass

Tony Adams – Drums & Percussion

Russell Wheeler – B3 Organ & Piano

Blind Mississippi Morris – Harmonica (rated by Bluzharp magazine as one of the 10 best harmonica players in the world)

All in all this is a can’t miss combo which gives us all a taste of Beale Street, Memphis.

Thanks for reading and i hope you enjoy the fine sounds of Billy Lavender.

Billy Lavender on myspace

Billy Lavender at I55 Productions

 - kellyf

November 9th, 2011

Eric Hughes Band "Two in the Morning"

November 3rd, 2011

David Daniels " Dressed Like a Fool"

Artist: David Daniels 
Title Of Album: Dressed Like A Fool 
Year Of Release: 2011 
Label: I55 Productions 
Genre: Modern Electric Blues, Blues Rock, Blues Jazz 
Format: MP3 
Quality: 320 kbps, 44.1 Khz 
Total Time: 00:43:13 
Total Size: 100 Mb 
Covers: Front 

From the first few notes that scream out of David Daniel's amplifier, you can not only gather that he is a skilled guitarist and a seasoned musician, but that he can interpret the blues genre fluently and make his playing speak to people on an emotional level. This top-notch musician has played around this area off and on since his childhood, and is now in the process of promoting his new album, Dressed Like a Fool, which solidifies his already strong reputation as a blues guitarist and songwriter. 

Tracklist: 
01. Dressed Like A Fool (3:17) 
02. Good Bye (4:11) 
03. Just Another Blues Song (3:13) 
04. Thing About You (4:04) 
05. I Hold On (3:24) 
06. Burned (4:28) 
07. Early Morning Lowdown Blues (3:55) 
08. My Desire (3:49) 
09. I've Got Plans (3:56) 
10. She's The One (4:00) 
11. Rosco (4:54) 

Review posted by Ceolte.org

November 1st, 2011

Billy Lavender
Memphis Livin
 

 

Billy Lavender’s album Memphis Livin is blues at its finest. It’s gritty and jazzy, with an equal balance of funk and fun.

 

On Memphis Livin, Lavender, who was born and raised in Memphis, clearly demonstrates the influence growing up in the heart of the blues scene had on his musical style.

 

There’s a classic quality to Memphis Livin, as well as a freshness that makes it easy to imagine swaying to the music at an outdoor venue.

 

A particular highlight of the album is the fact that it balances out slow songs with upbeat ones, and Lavender sounds in his element in both styles. He easily transitions from heavier, wailing guitar riffs to light melodies, depending on the type of song.

 

The instrument playing throughout the Memphis Livin is stellar, with all parts complementing each other, yet allowing Lavender’s guitar skills to stand out from the rest. With harmonica and what sounds like an organ mixed into some tracks, the album has a sound unique from much of what’s on the market these days.

 

As consistently wonderful as the instrumentals are throughout the album, the same cannot be said of Lavender’s voice. On some tracks, such as “Tonight,” his voice has a crooning quality to it that’s very nice to listen to. On other tracks, though, his voice comes off harsher and almost grating. The vocal highlights of the album really come on the tracks in which Reba Russell, of the Reba Russell Band, takes the lead. Her voice is incredibly strong, yet she’s able to soften the edges when necessary, which provides an excellent contrast to the vocals done by Lavender.

 

All in all, Memphis Livin is a solid album and definitely worth a listen.

 

 

Hot Tracks: Tonight, Blue, Bottom Line

 

Review by Carly Doenges—Sr. MuzikReviews.com Staff

 

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November 1st, 2011

November 1st, 2011

Billy Lavender "Memphis Livin"

 

This disc came out in January/February while I in the doldrums and somehow it got buried under the other stuff on my desk. I overlooked it then, but I have been enjoying it a lot lately! Billy Lavender brings together an all-star cast of Memphis' finest musicians and great singing and playing ensues on a batch of mostly Lavender/Brad Webb originals. The backbone of the band is Russell Wheeler on Hammond B-3 organ, Brad Webb and Billy Lavender on guitars, Vince Johnson on harmonica, Dan Cochran on bass and Tony Adams on drums. If you have read the back of nearly any cd that came out of Memphis over the past twenty years you have seen these names, and if you have listened to any cd that came out of Memphis over that same time period you know these guys can seriously bring the goods. This great band is augmented here by some great guest talents--Reba Russell sings on three songs, and Blind Mississippi Morris plays harmonica on one, "Let's Party." The first four songs set up the rest of the disc--everything starts off with the Rolling Stones-ish "Singin The Blues" written and sung by Tony Adams. That is followed by the aforementioned "Let's Party" with strong harp work by Mr Morris and vocals by Reba Russell. That's followed by "Tonight" sung by Ken Dinkins and featuring dynamite guitar work by Lavender. Then comes my favorite tune of the bunch in "Just Chillin," which I have been listening to back to back four or five times in a row every day for weeks. After that opening 15 minutes the rest of the cd just flows out seamlessly, just as together and smooth as butter. 

I really wish I could have been a fly on the wall when these sessions took place--it sounds like it must have been a great time. 

You can buy this cd by going to: http://www.memphislivin.com

 

 

Review by Bruce | The Sunday Night Blues Project

 

October 31st, 2011

Robert "Nighthawk" Tooms & Wampus Cats " Spectator Shoes"

Robert “Nighthawk” Tooms is a 30-year veteran of the Memphis and Beale Street blues scene. He’s worked with B. B. King, Matt “Guitar” Murphy, Billy Lee Riley, Big Bill Morganfield, James Cotton, Willie Foster, Little Milton, Bob Margolin, and Jimmy Thackery. He’s been a part of the Reba Russell Band for 20 years and also fronts his own band, the Wampus Cats. Spectator Shoes (I55 Productions) is his latest release with the Wampus Cats and it’s a rollicking set of Memphis blues and boogie.

There’s a diverse mix of tracks here, ranging from the title track, a cool shuffle that opens the disc to “Forgive and Forget,” a swampy Jimmy Reed-esque tune. The late Earl Forrest lends a hand on a couple of tracks, singing lead on “Whooping and Hollering,” and his own “Next Time You See Me.” He’s assisted by Tooms, co-producer Tony Adams on drums, and another recently departed musician, Canned Heat’s Richard Hite, on bass. “Feed The Monkey” features Reba Russell on background vocals.

A terrific set of instrumentals include “Memphis Mike’s Onion Rings,” a smooth track that gives guitarist Memphis Mike Forrest an opportunity to strut his stuff with Tooms playing up a storm on the keys. On “Cotton’s Sack,” Tooms nearly blows the back off the harmonica, and “Ode to Jimmy McGriff” gives him room to showcase his talents on Hammond B-3. The closer, “Crumpy-ta-lump,” gives everybody a chance to stretch out.

Tooms rocks the house on keyboards, harmonica, and adds some robust vocals as well. The Wampus Cats (Forrest – guitar, Mojo Schickie – guitar, John Burgess – drums, Bill Bailey – bass, Wampus alumus Jumping James Cunningham – drums), along with Brad Webb (guitar) provide first-rate support. For fans of old-school blues and R&B, especially the Memphis variety, Spectator Shoes is a memorable set that will fit the bill.

Review by Graham Clarke | Blue Bytes

October 31st, 2011

Fred Sanders " I Believe" 

Memphis blues guitarist and local legend Fred Sanders was a mainstay of the Beale Street blues scene for many years, serving as house guitarist for the famous Club Paradise for years and playing with familiar names like B. B. King, Bobby “Blue” Bland, and Albert King. He also played as part of the Memphis Blues Caravan and with Duke Ellington’s Orchestra, Count Basie’s band, Buddy Rich, and Johnnie Taylor, when he wasn’t playing at Handy Park. He also released a great set of Memphis blues and soul (the appropriately titled Long Time Comin’) back in the late ’90s that unfortunately dropped under the radar, but is a must-hear set of Bluff City Blues.

Sanders passed away in January of this year after suffering a stroke. Sanders had been battling lung cancer for the last few years, but continued to play and record despite dealing with several rounds of chemotherapy and the after-effects. A couple of weeks after Sanders’ death, I55 Productions released his final studio recording, I Believe, which serves as a fine companion to his earlier release.

Like his first release, I Believe mixes Memphis blues and soul sounds in with some serious funk and the occasional venture into jazz. Sanders wrote or co-wrote all ten of the tracks, with the standouts being the loose-limbed shuffle, “Stop Foolin’ Around,” the slow blues title track, the funky “I Think About You Baby,” and “Wake Up,” which features some tasty guitar from Sanders.

Sanders’ sinewy guitar style is still a joy to hear....there are three tough instrumentals to verify that (“Time Out,” “Blue Bolero,” and “Red Eye Gravy”), and his raspy vocals are spot on. The supporting players, including co-producers Brad Webb (bass/rhythm guitar) and Tony Adams (drums) and Robert “Nighthawk” Toombs (keyboards/harmonica) and Russell Wheeler (B-3) do an excellent job laying down that greasy, gritty Memphis sound.

Given his formidable talents, it’s a shame that Fred Sanders wasn’t able to record more than he did, or that he didn’t venture out of Memphis any more than he did. We owe a debt of thanks to I55 Productions for recording him one last time (and also for rescuing Long Time Comin’ from the cutout bin), so we do have the opportunity to hear what too many blues fans missed while he was still with us.

Review by Graham Clarke- Blue Bytes

October 27th, 2011

Fred Sanders

"I Believe"

I55 PRODUCTIONS LLC

There are quite a few exceptional Blues artists that go through their career and really don't hit the big times, quietly going about their business, just flying under the radar, and Fred Sanders was one of them. His career as part of the Beale Street blues scene, stretched many years and he was considered a local legend. The earlier part of his career saw him in Texas learning the Texas Blues from the late 50's till the late 60's, when he moved back to Memphis, the place of his birth. During a 7 year tenure as staff guitarist at the famed Club Paradise, Fred Sanders had the opportunity to play with many Blues greats which included "B.B. King, Bobby Blue Bland, Albert King, and many others." Fred was part of the Memphis Blues Caravan and also played with the "Duke Ellington’s Orchestra, Count Basie’s band, Buddy Rich, and Johnnie Taylor." When he wasn't busy playing other gigs, one could find him quite often playing at W.C. Handy Park.
 

"I Believe" marks Fred Sanders second album, of which his first was called "Long Time Comin", released in 1991. "I Believe" was also Fred Sanders last album as, sadly, he passed away in January from a stroke. Fred Sanders had also been battling lung cancer, yet that did not seem to discourage him from playing and recording. "I Believe" was released a few weeks after his death through I55 Productions, whom also resurrected "Long Time Comin".

"I Believe" consists of 10 great Tracks of the style of his first release which was Memphis Blues mixed in with a little Soul. Fred Sanders was responsible for the sole writing of 2 of the Tracks and co-writing of the remaining 8. The other co-writers on various Tracks included fellow musicians Brad Webb, Tony Adams, and Dan Cochran. Additional artists on "I Believe" included Russell Wheeler, Tiffany Bramble, and Mr. Piano himself, Robert "Nighthawk" Tooms whom played on 5 Tracks. "I Believe" was produced and mixed by Brad Webb and Tony Adams and recorded at Webb Studios.

There is no doubt that Fred Sanders forte is his exquisite guitar work, which is more then evident on the collection of 3 instrumental Tracks, which included Track 4 "Time Out", Track 7 "Blue Bolero", and Track 10 "Red Eye Gravy". Of the 3 instrumentals, I particularity enjoyed "Blue Bolero" especially with the great B-3 Organ work of Russell Wheeler. Robert "Nighthawk" Tooms also lays down some seriously good B-3 Organ work on 5 of the albums 10 Tracks and also throws in a little Wah Piano on Track 3 "I Think About You Baby". Fans of mighty fine slow cooked Blues will enjoy Tracks 8 & 9, "Wake Up" & "Hey Come On 'Little Girl'".

Fred Sanders was not one of those fancy pants Guitarists and Singers, as he was more concerned with offering up a pure feeling of the Blues then trying to show off. Such superb professionalism of that sort permeates throughout "I Believe".

For Fred Sanders, "I Believe" was his last call before his final departure and one in which truly leaves us a sense of what Fred Sanders was all about, and that was playing his Blues and Soul in such a way that it made all of us Believe.

Thanks Fred for making this one and leaving behind a fine legacy to remember you by.

John Vermilyea

(Blues Underground Network)

March 14th, 2011

Robert "Nighthawk" Tooms

"Spectator Shoes"

I55 PRODUCTIONS LLC

My first introduction to Robert "Nighthawk" Tooms was not via his music, but rather his gifted writing of Blues articles on the American Blues News website mainly covering and reporting on recent Blues events such as the King Biscuit Blues Festival and the Labatt Blue Blues Festival, to name just a few. One can only imagine my joy when I recently received a copy of his newest album, "Spectator Shoes", in the mail for review, as it was now a great opportunity for me to get acquainted with another side of Robert "Nighthawk" Tooms.

Robert "Nighthawk" Tooms started playing music at the young age of 6, with his musical instrument of choice being the Piano, an instrument he still plays today, along with a Hammond B-3 Organ, as well as Harmonica. The Hammond-Suzuki Organ Company, which is the maker of B-3 Organs, also endorses Robert "Nighthawk" Tooms.

Robert "Nighthawk" Tooms career as a veteran of Beale Street and Blues has now spanned some 30 years and as you can well imagine, he has had the opportunity to work with countless Blues greats, such as, B.B. King, James Cotton, Little Milton, Blind Mississippi Morris, Bob Margolin, Reverend Horton Heat, Jimmy Thackery, and many many more. In addition, Robert "Nighthawk" Tooms has also been part of The Reba Russell Band since 1991 and also records, writes, and performs with his own band, The Wampus Cats. Robert "Nighthawk" Tooms recording credits now number, with the release of "Spectator Shoes", 37 albums, of which 6 were with The Reba Russell Band.

"Spectator Shoes" consists of 11 Tracks of which 7 were penned by Robert "Nighthawk" Tooms. Of the remaining 4 Tracks 3 were written by performers on this Album and included Track 4 "Memphis Mike's Onion Rings" (Memphis Mike Forrest), Track 10 "Next Time You See Me" (Earl Forest), and Track 11 (Bill Bailey). Non-Performers on "Spectator Shoes" that were credited with songs were Track 3 "Whooping and Hollering" (D. Mattis & D. Robey) and Track 11 "Next Time You See Me" which in addition to Earl Forest is also co-written with Bill Harvey. "Spectator Shoes" was produced by Robert "Nighthawk" Tooms and Brad Webb. Brian Webb also played Guitar on, and Engineered this album.

Considered "a rollicking set of Memphis blues and boogie", by a fellow reviewer, whom I wholeheartedly concur with, "Spectator Shoes", consist of a great mix of regular Tracks along with 4 great instrumentals which start with "Memphis Mike's Onion Rings", a great Guitarfest with Robert "Nighthawk" Tooms performing his magic on the Piano, and ends with the final Track “Crumpy-ta-lump”, a great closer in which the performers are all announced one after the other, as they each get their moment to shine.

Robert "Nighthawk" Tooms along with his amazing Wampus Cats, which for this album consisted of Memphis Mike Forrest (Guitar), Mojo Schickie (Guitar), John Burgess (Drums), Bill Bailey (Electric/Upright Bass), and Jumping James Cunningham (Drums Tracks 5 & 8), perform pretty well the best Blues and R&B one can expect to hear nowadays, especially the Beale Street Memphis variety. Additional performers on this gem of an album included Reba Russell whom did Backup Vocals on Track 8, and Brad Webb (Guitar), Tony Adams (Drums), Earl Forest (Vocalist), and former Bass player for Canned Heat Richard Hite, on Tracks 3 & 10.

On a sad note, "Spectator Shoes" was the last recordings of 3 of the artists, Richard Hite, John Burgess, and Earl Forest, for which this album is dedicated to their memory.

"Spectator Shoes", was a superb introduction for me of the music of Robert "Nighthawk" Tooms and his fellow artists. It was a thoroughly enjoyable album and one in which has certainly got my appetite going for more of his releases, in the future.

For Memphis style Blues and R&B, "Spectator Shoes" will be a hard one to beat this year.

Review by John Vermilyea

(Blues Underground Network)

December 27th, 2010 |  1:00pm

Putting your name on a Album in which you step back and let others get in on the spotlight is humbly what Billy Lavender may be all about, and that is doing his part in letting those around him shine a little brighter, and shine they all do, in this dynamic new release by one of Memphis' Best Blues Guitarist, titled, "Memphis Livin".

Although the name Billy Lavender may not jump out as some one you may know, he is certainly a legend to those that do. With 40+ years experience with the Memphis blues scene, he is one of the most sought after blues guitarist going and it only takes a few moments of listening to "Memphis Livin", to understand why.

"Memphis Livin" is, in a sense, a history lesson when it comes to Memphis and the Blues. It is an Album that runs the gamut of all the Blues Genres that have made the Memphis Blues Sound so important. It is all featured here, on this one truly unique album, from straight ahead guitar driven blues to shuffles, from sultry soulful blues to boogie blues and beyond, "Memphis Livin" is simply one hell of a good lesson on not only the blues, but how the blues should sound and be played.

"Memphis Livin" consists of a who's who of the Memphis Blues Scene, with no less than 13 artists gracing this album, all working together seamlessly, offering you a new treat with each new track. 

Billy Lavender spends much of his time in the background, letting his Guitar Virtuosity speak for itself, but he does grace this album with lead vocals, on 3 tracks, and in doing so, he simply blows us away with yet another amazing talent which can be added to his already extensive resume.

"Memphis Livin" is a Blues Fest to the senses, all the best on one of the Best Blues Releases this year.

This is one solid CD, and I cannot wait to hear more of his music, down the road. Thoroughly Enjoyable and Highly Recommended...

Favorite Track... Singin' The Blues

September 2nd,2010 | 12:25pm

BILLY LAVENDER

MEMPHIS LIVIN'

I55 PRODUCTIONS

Despite the fact that Billy Lavender is a left-hander who plays right-handed guitar upside down, he is an extraordinarily talented guitarist. Memphis Livin' is a "sizzling fusion of blues, soul and R&B." Starting out with the rockin' blues sound of "Singing The Blues" and the toe tapping shuffle of "Let's Party" to the laid back funk tune "Just Chillin" this CD is sure to keep your attention. Vince Johnson puts a lot of emotion into his harp solo on the late night bluesy feel of "Cold As Ice." Brad Webb adds a nice touch with the exotic sound of the sitar on "Blue" along with the sultry vocals of Reba Russell. Billy Lavender exhibits some truly great guitar work on "Shake It" along with the energetic harp and strong vocals of Vince Johnson which is my favorite track on this CD. Overall this CD is a delightful collaboration of originals performed by a group of genuinely talented musicians.

Debbie Johnson

Wichita Blues Review

August 2nd, 2010 | 3:22pm

BILLY LAVENDER, MEMPHIS LIVN'

Although it’s the blues, it’s stepped up a bit right from the start.  With both mixed male vocal leads, female backup and some lead vocals, the album takes on a non-traditional approach.  Non-traditional is Billy’s style.  As a lefty, he learned to be a left-handed player playing upside down on a right-handed (and strung) guitar (reminiscent of Doyle Bramhall’s configuration).

Let’s Party has a spirited groove with Reba Russell on lead vocals.  Tonight brings back a pre-Motown R&B feel, ala Clarence Carter and Tyrone Davis.

Fortunately, the harp and the Hammond B3 are used sparingly, filling voids when required.  Just Chillin’ is a direct Memphis style instrumental, delivered Booker T style.  Cold As Ice is a slow blues ballad delivered vocally and on harp by Vince Johnson.  Get Along is a driving piano led piece.  Blue is a haunting jazz styled ballad, with Reba again on vocals, and unusually inserted electric sitar leads provided by Brad Webb (who also adds Dobro on the CD).  Shake It is a swing bit with some of Billy’s B.B. King style lead inserts, and harp.  Bottom Line is a great ballad sung by Reba, with some tasteful guitar licks, and most importantly doesn’t fight itself with an overload of instruments.

It’s another take on the blues.  Some material is familiar, but some of it takes a walk down Beale Street, and then a few detours into R&B and Southern swamp territory.  The female vocals help the release take some different melodic approaches, which add to the uniqueness.  This and the careful insertion of guitar leads, proper use of the B3 and harp successfully help prevent this from becoming just another one dimension boring blues disc! 

R.M Engelman

Skope Magazine

June 23rd, 2010 | 11:42am

Billy Lavender

Memphis Livin'

I-55 Productions

www.memphislivin.com

This is an interesting, if eclectic,album, Memphis Livin' is like two, no three albums in one. The album cover would lead one to believe that it will be a CD of acoustic blues yet there is only one acoustic track and it's not blues. Some of the tracks are first class blues while some of the other tracks seem like they were from a different project, and somehow got mixed in. Don't get me wrong these "other" tracks are good music, some are rocking others mellow, they just seem at odds and the sequencing choices are also a little off beat. This could easily have been named Billy Lavender & Friends with a dozen performers including five sharing the lead vocals. The aptly titled boogie blues "Let's Party" features Reba Russell on vocals and Blind Mississippi Morris on harp and the fast shuffle " Shake It" features Vince Johnson on vocals and harp and some stellar guitar work by Billy. "3AM", a slower blues, also features Vince on vocals and harp with producer and engineer Brad Webb searing the strings on the 1st guitar solo, Vince lays down a greasy harp solo, Billy soon follows with a sedate yet adept solo of his own and Vince closes it out on harp.My favorite track is the slow shuffle "Cold as Ice" which opens with some fiery harp by Vince who also again handles the vocals. His harp solo at the bridge is primo and Billy's dexterous guitar solo is entrancing. When they are playing the blues they are hitting on all cylinders which begs the question, why not a full CD with 15 tracks of blues and put the "other stuff" together on another disc; but you know what it is all good music and this shows that Billy Lavender (& Friends) is about more than just blues.

Malcolm Kennedy

Washington Blues Review

June 2nd, 2010 | 9:40am

BILLY LAVENDER

Memphis Livin’

I55 Productions - I55-0200

Billy Lavender is a name that has become synonymous with slinky, soulful guitar revelry around his hometown of Memphis. Lavender has made a name for himself on Beale Street as a first-call musician, the kind of guy you instinctively go to when your guitar player can’t make the gig. Lavender, whose left-handed axe-work was originally inspired by the blustering tones of icons like Clapton and Hendrix, still has the fire of such masters. Decades on, though, Lavender’s sound is cagier and flickers with street-corner soul. With electricity in his fingertips, Lavender gives us Memphis Livin’.

         While Lavender is in charge of all things guitar on this record (his tasteful touch perfectly positioned in the mix), he recruits some of Memphis’ finest vocal talent to front the project. The whisky-tinged rasp of Tony Adams is notable on songs like Bad Boy and the driving, willowy soul of Singin’ The Blues. For a more sensuous slant, Lavender turns to the slippery, soulful voice of Reba Russell. Russell shines on standouts like the quietly passionate Blue, laced with sitar courtesy of local Memphis blues guru Brad Webb. Elsewhere, the R&B–drenched vocals of Vince Johnson add stone-cold cool to the late-night urgency of 3AM. Other Beale Street blazers like Blind Mississippi Morris, who adds harmonica throughout, make this a steamy, colorful case study in Memphis-inspired, soulful, at times gospel-inflected, blues.

         Billy Lavender is flawless in his execution of soul-charged guitar, and audacious in his musical telepathy with his Memphis musical family. Memphis Livin’ is a record that is as saucy and satisfying as the city’s famous barbecue.

-Mark Uricheck                                                                    

June 1st,2010 | 11:03am

Billy Lavender Memphis Livin. I55 Productions / BlindRaccoon 2009

Excellent CD with blues and Americana music, by an artist gifted with amazing vocal, instrumental and vocal qualities. Billy Lavender brings us a first class album with inspired effective arrangements, backed by a selection of inspired able musicians. Born in Memphis, he shows a good dose of talent along this genuine and perfectly done cd, including fourteen intense songs, conceived with a tasteful music criteria. Some of the performing musicians are masters of Beale Street sound, such as singers Tony Adams, Ken Dinkins, Vince Johnson or Miss Reba Rusell, guitarist Brad Webb, harmonica players Vince Johnson and Blind Mississippi Morris, and some other ones who play the rest of the band instruments, bass, drums, B-3 organ and piano. A fine elegant sample of different styles and tempos, from slow to up-tempos,R&R, medium shuffling, grooves and other music surprises. Are you ready for the adventure? Billy Lavender and his musicians invite you to share it with them. GREAT

Val & Dusty Scott

Winners of Blues Foundation "Keeping the Blues Alive Award"

http://www/dustyblues.com/cdreviews2010/june2010.html

Memphis Livin by Billy Lavender

 April 30th,2010 | 2:00pm

Memphis, Tennessee is a city where significant parts of American history were written. It’s where Martin Luther King was assassinated in 1963, and Elvis Presley’s Graceland attracts thousands of visitors each year. In a cultural sense, Memphis has inspired and launched the careers of many artists from different colors and creeds in a wide spectrum o f the arts, ranging from literature to movie making and, of course, music. As such, to walk the streets of Memphis and that famous historically recognized Beale Street is on every tourist’s agenda. Beale Street is where jazz and blues were lived, suffered, nourished and blended into a style known as Memphis Blues.

For guitarist Billy Lavender, “blues” might have been the first word he spoke as a toddler. He’s been roaming the Memphis music scene for many years now, having accompanied peers and pupils and numerous disciples of the blues. As a left-handed player, he learned to play upside down a on a right handed guitar, leaving the strings as they were. His unique skills shine on Memphis Livin’, surrounded by some of Memphis’ best musicians, like Blind Mississippi Morris—rated as one of the world’s ten best harmonica players.

“Singin’ The Blues” offers a flying start, with drummer Tony Adams on vocals and Lavender on lead guitar. The track is followed by “Let’s Party,” featuring Reba Russell on vocals, who seduces those listening to come to Beale Street, supported by Blind Mississippi Morris as a persuasive but gentle enforcer to do just that. On “Tonight,” it’s Ken Dinkins on vocals in a sweet soul ‘n blues tune which provided the variety and versatility of the blues as a genre. The musicians flirt with a little funk in the instrumental “Just Chillin’” before returning to base in “Cold As Ice”—a straightforward blues ballad featuring yet another vocalist, Vince Johnson, who also excels at the harmonica. Lavender then steps in the spotlight as a signer in “Get Along,” a rock ‘n roll gem where keyboardist Russell Wheeler plays piano rather than the Hammond B3 organ he handles craftily on many of the other songs. “Blue” is definitely one of the highlights, with Brad Webb on sitar and soulful vocals by Russell.

For the real blues adept there isn’t a weak track to be found, and the songs follow each other fluidly, as they would during a live performance. Lavender’s presence throughout the album, as a gifted soloist, equals the part he allows his fellow musicians to play in this fine collection of fourteen songs that showcase the splendor of the Memphis blues and its current ambassadors.

Track listing: Singin the Blues; Let's Party; Tonight; Just Chillin; Cold As Ice; Get Along; Blue; Shake It; Bottom Line; Bad Boy; 3AM; All The People; If I Could; Delta Time.

Personnel: Billy Lavender: rhythm and lead guitar; vocals (6,12,13); Brad Wedd: rhythm and slide guitars; bass (3, 5, 11); dorbo; sitar; backing vocals; Tony Adams: drums, percussion; vocals (1,10, 14); Dan Cochran: bass guitar (1,2, 7-10, 14): Russell Wheeler: keyboards; piano; Reba Russell: vocals (2, 7, 9); back-up vocals; Blind Mississippi Morris :harmonica; Ken Dinkins: vocals (3); Vince Johnson: harmonica; vocals (5, 8, 11); Mike Stoker: bass guitar (4,6,1); Jojo Jeffries: back-up vocals; Maria Spence: back-up vocals.

April 24th,2010 | 11:30am

Billy Lavender - Memphis Livin
On - I55 Productions

This disc came out in January/February while I in the doldrums and somehow it got buried under the other stuff on my desk. I overlooked it then, but I have been enjoying it a lot lately! Billy Lavender brings together an all-star cast of Memphis' finest musicians and great singing and playing ensues on a batch of mostly Lavender/Brad Webb originals. 

The backbone of the band is Russell Wheeler on Hammond B-3 organ, Brad Webb and Billy Lavender on guitars, Vince Johnson on harmonica, Dan Cochran on bass and Tony Adams on drums. If you have read the back of nearly any cd that came out of Memphis over the past twenty years you have seen these names, and if you have listened to any cd that came out of Memphis over that same time period you know these guys can seriously bring the goods. This great band is augmented here by some great guest talents--Reba Russell sings on three songs, and Blind Mississippi Morris plays harmonica on one, "Let's Party." The first four songs set up the rest of the disc--everything starts off with the Rolling Stones-ish "Singin The Blues" written and sung by Tony Adams. That is followed by the aforementioned "Let's Party" with strong harp work by Mr Morris and vocals by Reba Russell. That's followed by "Tonight" sung by Ken Dinkins and featuring dynamite guitar work by Lavender. Then comes my favorite tune of the bunch in "Just Chillin," which I have been listening to back to back four or five times in a row every day for weeks. After that opening 15 minutes the rest of the cd just flows out seamlessly, just as together and smooth as butter.

I really wish I could have been a fly on the wall when these sessions took place--it sounds like it must have been a great time.

You can buy this cd by going to: www.memphislivin.com

April 20th,2010 | 1:05pm

BILLY LAVENDER Memphis Livin i55 Productions (2010)

Billy Lavender

Billy Lavender's 'Memphis Livin' is an enjoyable journey though the best of the Memphis club scene taking in Rhythm & Blues, soul, funk boogie and blues.

Almost as if paying his dues Billy has surrounds himself with the likes of B3 star Russell Wheeler, harp player Vince Johnson and excellent multi-guitarist Brad Webb who stars with some mega slide on the opening 'Singing the Blues'. Billy himself has a growly vocal style almost at odds with his long leaner linear guitar lines.

Ironically enough his best performances come when he's playing as a sideman to someone else, most notably on the Vince Johnson led shuffle 'Shake It' on which Billy's solo is the perfect topping to some cool dynamics. Similarly the same duo works well on the slow blues 'Cold As Ice' on which Vince's harp playing is a mix of exuberant and rough hewn as he blazes his way over the top of Wheeler's organ. And almost as if to show the light and shade of their repertoire Billy and band slip into rock & roll mode for 'Get Along' which features a powerhouse track from Tony Adams.

But this is an album of many colours and styles especially so when Reba Russell adds her soulful vocals on the impressive 'Blue' - complete with some unlikely sitar from Brad Webb. - and the soulful ballad 'Bottom Line' on which Billy adds some nice jangling 6 and 12 strings guitars.

The strength of the album lies in the way the different styles contribute to a coherent whole, particularly so on the Brad Webb, two guitar duet and harmony vocals of 'If I Could'. The downside is that you feel a better production would have reduced the audio clutter and probably focussed more strongly on the songs and vocals generally. But as a snap shot of vibrant Memphis blues scene this album just about does the job best encapsulated by the cool blues of '3AM' on which Billy brings real presence and a big tone to bear on another fine vocal from Vince Johnson. Way cool!

****

- Review by Pete Feenstra
 

April 14th, 2010 | 11:30 AM

BILLY LAVENDER

Memphis Livin’
I55 Productions
A long-time feature on the Memphis music scene, Billy Lavender is a native of the city, a left-hander who plays right-handed guitar upside-down and who got his first musical inspiration from rock band Grand Funk Railroad – now he is an excellent all-round player. For this set to be familiar are harmonica man Blind Mississippi Morris and his frequent accompanist Brad Webb on guitar, but vocals are shared around several top-notch singers and stylistically the music runs the whole gamut of Memphis sounds. Rocking Blues (Let’s Party which has Mississippi Morris laying down some fine harp) to sweet soul, rockabilly to tough funk, moody rock to a Beatles inflected item, blues-rock t country; you’ll find it here. Vince Johnson takes front-man duties on several tracks, including the slow-ish blues ‘Clod As Ice’ and the jazzy rocker ‘Shake It’, and he also supplies some fine wailing harp. The overall feeling is of a bunch of friends jamming together and having a good time playing music they – and you will like. A lot.

- Norman Darwe/ Blues Matter

April 6th,2010 | 1:56 PM

Billy Lavender: Memphis Livin’
(I55 Productions 0200; 57:38)
Lavender, a lefty playing right-handed guitar upside down, brings the unlearned expressive quality know as Memphis soul to a mix of blues, rock and funk on a session with other local stars like guitarist Brad Webb, drummer Tony Adams and singers Ken Dinkins and Reba Russell (she’s worked with U2). This is a good album, despite hot, flamboyant production that incinerates a few tunes’ even an exceptional one for the five minutes of Lavender and Webb’s slow-sizzling “Tonight”, where Dinkins and Lavender make mesmerizing pleas for the rightness of sweet romance.

Ordering info: memphislivin.com 

- DownBeat Review

 April 4th, 2010 | 9:00 AM

Billy Lavender " Memphis Livin" ( Blues)

Putting your name on a Album in which you step back and let others get in on the spotlight is humbly what Billy Lavender may be all about, and that is doing his part in letting those around him shine a little brighter, and shine they all do, in this dynamic new release by one of Memphis' Best Blues Guitarist, titled, "Memphis Livin".

Although the name Billy Lavender may not jump out as some one you may know, he is certainly a legend to those that do. With 40+ years experience with the Memphis blues scene, he is one of the most sought after blues guitarist going and it only takes a few moments of listening to "Memphis Livin", to understand why.

"Memphis Livin" is, in a sense, a history lesson when it comes to Memphis and the Blues. It is an Album that runs the gamut of all the Blues Genres that have made the Memphis Blues Sound so important. It is all featured here, on this one truly unique album, from straight ahead guitar driven blues to shuffles, from sultry soulful blues to boogie blues and beyond, "Memphis Livin" is simply one hell of a good lesson on not only the blues, but how the blues should sound and be played.

"Memphis Livin" consists of a who's who of the Memphis Blues Scene, with no less than 13 artists gracing this album, all working together seamlessly, offering you a new treat with each new track. 

Billy Lavender spends much of his time in the background, letting his Guitar Virtuosity speak for itself, but he does grace this album with lead vocals, on 3 tracks, and in doing so, he simply blows us away with yet another amazing talent which can be added to his already extensive resume.

"Memphis Livin" is a Blues Fest to the senses, all the best on one of the Best Blues Releases this year.

This is one solid CD, and I cannot wait to hear more of his music, down the road. Thoroughly Enjoyable and Highly Recommended...

Favorite Track... Singin' The Blues

-John Vermilyea (Blues Underground Network)   

March 31, 2010 | 10:14 AM

Billy Lavender - Memphis Livin'
Label: I55 Productions

For More information go to www.i55productions.com

Upon hearing this debut from Billy I was struck by the overall feel of the music, a floating ephemeral atmosphere that initially leads you up and down a good many blind avenues but with little or no assistance or answer to the absorbing and perplexing question of its irresistible and alluring ‘goodtime feel,’ then, it dawned upon me; the most singular aspect of the album is its apparent Englishness a seemingly courteous almost reverential and respectful approach to the music, rocking yet good mannerly. For this, we can thank Billy’s English influences on the music The Beatles, Eric Clapton and that unofficial anglophile Jimi Hendrix. All have enabled an insider such as Billy is, to view and present the music from the perspective of the outsider.

Billy is a native of Memphis and has been living and working in the city for a good number of years, he possess a very good understanding and perspective of the music that goes beyond the realms of a talented local bluesman, this ability allows him to visualise the music from more than one point alone. Also, a very good example of his tenacity towards his craft is displayed by the fact that despite being a natural left-hander he plays standard right-handed guitars with ease, he merely straps it on and plays it upside down without the strings being re-positioned. With this attitude and natural talent Billy has become one of the most sought after players in Memphis today.

Joining him on this album, which pays serious respect to the many contrasting types and styles that have percolated, permeated and inhabited that melting pot that is Memphis and the many great musicians that have played since Beale Street first existed; are; Brad Web; rhythm and slide guitars and dobro sitar, Tony Adams; drums, Dan Cochran, Mike Stoker; bass, Russell Wheeler; B3 organ and keyboards, Blind Mississippi Morris, Vince Johnson; harmonica. Lead vocals are shared by Billy Lavender, Tony Adams, Reba Russell, Ken Dinkins and Vince Johnson.

That which makes this album so enjoyable is the sparing and much understated attention to detail, the economic and restrained guitar work that is always threatening to explode when you least expect it, yet Billy delivers all that the music promises. He conjures up sparkling guitar runs and enticingly fizzy solos that cajole and caress you into submission rather than viciously grabbing you by the throat and trying to throttle you into liking the music. Teasing references to artists abound throughout the album there are obvious ones to artists such as; B.B. King, The Beatles and any number of Memphis legends.

All fourteen of the performances have a mellow and grooving Jazzy tinge to them, apart from when soulful harpman Blind Mississippi Morris and the powerhouse vocalist Reba Russell aren’t blasting and belting out some serious rootsy rockin’ blues.

A Fine, Fine Album!

- Peter "Blewzzman" Lauro
    Blues Art Journal

March 31, 2010 | 9:19 AM

Memphis Livin'
Billy Lavender
I55 Productions

Whether singing or playing up a storm, in a lead or supporting role, Memphis mainstay Billy Lavender serves up a mighty fine batch of southern soul, R&B, blues and good old-time rock ‘n’ roll on Memphis Livin’, and gets a rousing assist from a redoubtable cast of players who all brought their A games to the fray. First among equals in that regard would be vocalist Reba Russell, who makes a profound impression on her three lead vocals: summoning celebratory spirits on the driving, go-for-broke blues burner, “Let’s Party,” with Blind Mississippi Morris pitching in with righteously burning harmonica wailing and Lavender doing what he does best--making the guitar sing and roar and sting; then digging down deep to burnish the steady groove of “Blue” with a subdued, probing--even anguished at times--testimony of a most revealing and personal nature (with Brad Webb’s sitar, of all instruments, adding a dark, turbulent counterpoint to the vocalist’s weary ruminations); and most impressively, opening her heart fully and dramatically on a ‘70s-style soul heartbreaker, “Bottom Line,” rich in atmosphere thanks to Lavender’s piercing guitar interjections and Russell Wheeler’s sturdy, humming, churchy B3 in support of Reba’s tender/tough pleadings to a wayward lover, expressed first in cool, measured phrasings, only to burst forth in aggrieved pleadings at the end. But Russell, again, sings only a trio of songs; most of the vocal duties are split between Tony Adams’s muscular blues shouting and Lavender’s softer, pop-styled approach.

Adams was as much the right call to bring home with a vengeance the Stones-ish album opening blues-rock stomp, “Singin’ the Blues,” as Lavender was to contribute an airy, assured, Steve Miller-like lead vocal (and some tasty guitar support) to deliver the message of love as a healing balm in the funky “All the People.” Lavender is also on lead vocals on the album’s other topically-oriented song, “Get Along,” which takes its title from Rodney King’s plea, “Can’t we all just get along?” In this case, Lavender’s vocal takes on a harder edge, and the furious, hard charging blues-rock track, with Russell Wheeler's Jerry Lee-style piano pounding igniting the mix, feels for all the world like an early, bristling Stones track, and darn if Lavender doesn’t sound like the younger Mick Jagger as he belts out the lyrics. And although the band model carries the day on Memphis Livin’, the album’s most sensitive and touching moment comes on the penultimate song, “If I Could,” a slight (at 1:43) but arresting beauty of promised commitment that is conditional only in the sense that its protagonist is awaiting a reciprocal sign from the object of his affection.

The haunting melody and Lavender’s soft, multitracked voice, set against a country-tinged but spare backdrop of baritone guitar and dobro (by Brad Webb) and Lavender’s own guitar, recall nothing so much as a latter-day John Lennon billet-doux to Yoko. Given its inclusion amongst barnburning blues and densely textured soul ballads, “If I Could” comes out of nowhere, a sneaky roundhouse right that coldcocks you while you’re leading with the left. It’s a big-time, heavyweight punch, and even though it’s but a moment among 13 other songs, it makes everything else around it richer, weightier, more memorable.

And, like that, a good album becomes exceptional.

- Dave McGee
   The Bluesgrass Special Review

March 25, 2010 | 12:18 PM

Billy Lavender - Memphis Livin'

On Memphis Livin, guitarist Billy Lavender leads core musicians Brad Webb (guitar, baritone guitar, sitar, slide), Tony Adams (drums), and Russell Wheeler (keys), hosting guests Reba Russell and Vince Johnson on vocals, with Blind Mississippi Morris making an appearance on harp.

The all-original songs, recorded with a contemporary sheen, look back to classic styles. There are blues, of course, along with root rock, sweet soul, blues-rock, greasy funk ("Chillin'," derived from David Bowie's "Fame"), and ballads. Not everything works, but when it is good, it is very good: Johnson's "3 AM" is a fine, minor blues in the mode of "I'll Play The Blues For You."

- Blues Revue

March 3, 2010 | 12:28 PM

Billy Lavender - Memphis Livin'
I55 Productions I55-0200

While guitarist and vocalist Billy Lavender may be a new name to many, several of his supporting cast (including Brad Webb and Blind Mississippi Morris) will be familiar to Blues In Britain readers. Lavender mostly lets his guitar do the talking, and it speaks very well for him. He supplements his own vocals with guest vocalists, Tony Adams, Ken Dinkins, Reba Russell and Vince Johnson. As you would expect for a Memphian, there is a soulful feel underlying most of the music on offer, even the rockier songs like "Singin' The Blues" and "Let's Party".It is strongest on the excellent instrumental "Just Chillin'", and the fine balladeering of "Bottom Line". Elsewhere there are shades of Steely Dan, "Blue", and CSNY, "All The People". The band set a high standard throughout, although it does wane slightly on the last couple of tracks.

Lavender is a fine guitarist and songwriter, and also a good vocalist. Supported by a fine cast of musicians, it all adds up to an entertaining way to pass an hour.

- Keith Shackleton
   Blues in Britain

February 24, 2010 | 6:53 PM

Billy Lavender/Memphis Livin' - Lavender's noted for blazing guitar, which he uses cleverly on this outstanding and highly entertaining album.

The CD succeeds very well in showcasing the Memphis blues sound. Lavender can play lazy, soulful Memphis licks or punchy driving guitar, yet never overpowering the song. He mingles fine rhythm tracks with his leads.

There's great support, with Vince Johnson playing great down-home harmonica on tunes like Cold as Ice.

He chips in strong vocals along with Reba Russell, who has worked with star acts like B.B. King and U2. Russell Wheeler's B-3 keyboards complete the Memphis mix of boogie, blues and ballads.

Anyone who likes Memphis blues sound or any blues, should have this album.

- Dennis Smith
   Toronto Blues Music Examiner

February 10, 2010 | 5:11 PM

"I'm premiering Billy Lavender's Memphis Livin' tonight on the "Clinic of Boogie & Blues" program on WNRB 93.3 FM in Wausau. Loved it!!!! Picked "Let's Party", Just Chillin'" and "Bad Boy" to air. Great variety of styles displayed on the album."

- Robert Decker
   Great Northern Blues Society

February 9, 2010 | 7:00 AM

Have you ever heard of Billy Lavender?

Have you ever heard of Billy Lavender? Probably not. He has just released his debut album, Memphis Livin’, on the I55 Productions label. Check out Let’s Party. Reba Russell, one of the hottest Blues singers of today, handles the lead vocals on the tune, as well as contributing to the background vocals. This number gives you a sampling of Billy Lavender’s expertise on the guitar. Blind Mississippi Morris joins Billy on the harmonica. The song is very upbeat, so you may want to slow it down slightly. You will also want to take a listen to Tonight.

The song very much reminds me of Santana’s Smooth and Heaven by The Los Lonely Boys. The number has a sweet blend of Lavender’s guitar and Russell Wheeler on the Hammond B-3 organ. While you are checking, you may want to take a listen to Singin’ The Blues with Tony Adams on vocals with Lavender and Brad Webb tearing it up on guitar. This one, too, may need some pitch adjustment. Billy Lavender received his first guitar forty years ago and learned to play right-handed instruments left-handed and upside down. It is rare that this Memphis native takes on the lead vocals, but is always joined by a host of experienced musician friends, and they have a great time playing all the music Billy knows and loves.

This is a great tribute to Memphis and all involved.

- Mike Little
   Board of Directors of the NARBDJ

February 6, 2010 | 9:20 AM

Billy Lavender "Memphis Livin" CD Definitely Recommended

I picked up the Billy Lavender CD last week and it seems to be stuck in the CD player of my car. Not literally but figuratively. Every time the CD finishes it starts over and it starts off with Singing the Blues and before you know it I’ve listened to the whole CD again.

That’s how it started but now I’m finding I’m really hooked. I love a Memphis sound in the blues. While the Mississippi Delta is considered the birth place of the blues there is no doubt Memphis, the commercial center just north, was responsible for giving the rest of us access. I have a feeling there is a lot of great music in Memphis but it doesn’t leave often.

I plan to go to Memphis this summer and I’m thinking there is probably something wonderful about being in Memphis and that is probably what kept Billy Lavender a secret and also inspired this break out album that I think we’ll be hearing frequently as the media picks up on this talent. Here is a video of Memphis Livin by Billy Lavender. I wonder if its representative of the life Billy’s been living in Memphis singing the blues?

Billy Lavender’s Memphis Livin CD is a virtual showcase of many Memphis talents. There is hardly room for anything else on the CD back cover. Here are a few of the more recognizable names:

Vince Johnson - Harmonica and vocals
Dan Cochran - Bass
Tony Adams - Drums & Percussion
Russell Wheeler - B3 Organ & Piano
Blind Mississippi Morris - Harmonica (rated by Bluzharp magazine as one of the 10 best harmonica players in the world)

All in all this is a can’t miss combo which gives us all a taste of Beale Street, Memphis.

One more thing I must add. As many of you know I’m a big fan of eMusic and MP3s vs collecting CDs. Billy Lavender’s Memphis Living album is available on eMusic and if you’re new to the service you should be able to pick it up for free as part of your free no risk trial membership by clicking this banner:

Thanks for reading and i hope you enjoy the fine sounds of Billy Lavender.

Billy Lavender on myspace
Billy Lavender at I55 Productions

- Kellyf
  World of Blues

February 3, 2010 | 2:04 PM

Billy Lavender - Memphis Livin - I-55 Productions

Billy Lavender pays tribute to his hometown of Memphis, Tennessee with this October 2009 release on I-55 Productions. A student of the left handed, upside down school of guitar mastery, Lavender gets a chance to let his talent shine alongside several of his friends on the album's 14 wide-ranging numbers.

The opening track, "Singin The Blues," is the only song on Memphis Livin that Lavender didn't have a hand in helping to write. Billy Lavender scores writing or co-writing credits on each of the other 13 tracks on this effort. The songs sets a great tone for the album, as far as Lavender's fretwork isconcerned. Although I could do without the backing vocals, drummer/Vocalist Tony Adams, who also co-wrote the song, does a great job delivering the clever lyrics on "Singin The Blues."

"Let's Party" marks the impressive first appearance by vocalist Reba Russell on Memphis Livin and also features some mind-blowing harmonica work by Blind Mississippi Morris. I wouldn't be surprised if that harp melted in his hands during the recording process, because this tune is hot!

That's followed by "Tonight," a song where Lavender's guitar is just as soulful as Ken Dinkins' vocals. "Just Chillin" is an instrumental number with more great harmonica, although this time it's provided by Vince Johnson. Mike Stoker takes advantage of his bass being front and center for a few seconds on the track, as well. I like the way they phased Lavender's guitar from left to right on "Just Chillin," too. It sounded great through my headphones.

Johnson sticks to harp duties, but also handles the vocals on the Stone Cold Blues of "Cold As Ice." He's also the front man on the groovin' "Shake It," throwing down some of his best harp on the album. Lavender steps to the mic on the rocker, "Get Along," throwing some hot licks around as well. Russell Wheeler goes to town and back on piano duties here.

"Blue" is an almost surreal number, filled with Producer Brad Webb's sitar, layered vocals, and haunting B-3 from Wheeler. "Bad Boy" is a voodoo groove, with Tony Adams returning to vocal duties and pounding out a hypnotic rhythm along with Dan Cochran on bass.

Lavender jumps back on the mic for "All the People," a Beatled inspired number; and "If I Could." Both tracks feature vocal effects that could have been toned down for my taste, but they don't turn you off to the songs. It's interesting to note, though, that of the three songs where Lavender handles lead vocal duties, the longest is a mer 2:30 long. "If I Could" clocks in under 1:45.

Memphis Livin wraps up with "Delta Time," a song with a prison theme, performed almost as a work chant. It's a really cool concept, and comes across as another of the album's standout tracks.

Memphis Livin is like a Beale Street jam session caught on tape, with a long list of players and singers getting in on the fun. The common thread throughout, though, is Lavender's guitar, ringing out through it all. Whether it's Blues, Funk, Soul, or Rock 'N' Roll, Lavender delivers on Memphis Livin. Having made the time to sit down with the record and really disect it, I'm sorry it took so long to review.

Standout Tracks: "Cold As Ice," "Let's Party," "Delta Time," and "Shake It"

- "Johnny Full-Time" John Luttrell

January 28, 2010 | 7:03 PM

Billy Lavender – Memphis Livin'

I55 Productions LLC

<http://www.i55productions.com> www.memphislivin.com

<http://www.memphislivin.com> www.myspace.com/billylavender

<http://www.myspace.com/billylavender> 14  tracks/57:38

Billy Lavender  may not be a familiar name to many blues fans, but he is considered to be  one of the best guitar players involved with the Memphis music scene. He  has been playing for over forty years – and was part of the generation of  left-handed guitar players that simply turned a regular guitar upside-down  and never missed a beat, despite the strings being in reverse order.  Taking the role as leader on this collaborative project, Lavender has  gathered together a cast of veteran musicians and vocalists and turned  them loose on a batch of original material that serves as a primer on the  diversity of the Memphis musical tradition.

Lavender turns  in a solid vocal on the roadhouse rocker, “Get Along” but his fiery guitar  work really makes an impression. “All the People” is a soulful plea for  love and understanding with a multi-tracked vocal from Lavender. Brad Webb  joins Lavender for an acoustic duo take on the brief “If I Could”, with  Webb’s dobro setting the mood for some fine vocal harmonizing.

Drummer/percussionist Tony Adams takes the vocal lead on the  opening track, “Singing the Blues”. His deep, gritty voice is a great  match for this raucous tune, with Lavender matching the singer’s intensity  on his guitar. “Bad Boy” gives Adams the opportunity to show his skill as  a blues singer while “Delta Time” finds him belting out the lyrics on a  blues theme with a heavy rock-influence. The energy level  skyrockets when Reba Russell digs into “Let’s Party”, her vocal raising  the roof with help from Blind Mississippi Morris on harmonica. Even better  is her performance on “Blue”, a slow blues tune. Russell’s voice adopts a  sultry purr before easily sliding through her impressive range to belt out  the chorus with conviction. She also takes the lead on “Bottom Line” and  delivers another strong performance on this ballad, salvaging some  interest on what is the weakest cut on the disc. With his gritty  vocal style and some down-home harp playing, Vince Johnson makes the most  of his time in the spotlight.

“Cold As Ice” finds him pleading with his  woman to come back home and using his harp to convey just how strong his  feelings are for her. Lavender contributes a concise guitar solo. Johnson  and Lavender tear through the up-tempo “Shake It”, contrasting Johnson’s  simple harp phrases with Lavender’s cool, precise guitar licks. Another  highlight is “3AM”, another slow blues with a soulful vocal from Johnson  and more of Lavender’s impressive guitar work.Ken Dinkins  handles all of the vocal arts on “Tonight”, a rock ballad that conjures up  memories of Jimmy Hall and Wet Willie. “Just Chillin” has a brief vocal  refrain over a deep, funky groove with Johnson’s harp taking the lead. While the  assorted vocalists get much of the attention, the success of this project  also rests on the stellar accompaniment. The unsung hero is Russell  Wheeler, whose work on the Hammond B-3 organ consistently delights as he  breathes life into each arrangement.

Dan Cochran and Mike Stoker share the  bass guitar duties while Brad Webb covers the rhythm and slide guitar  parts. Additional vocal help comes from Maria Spence and JoJo  Jefferies. Collaborative  projects like this can often fall short of the mark due to the difficulty  of melding so many different styles and personalities into a coherent  package. The fact that Billy Lavender makes it look easy is a testimonial  to the lessons he has learned over his lengthy career. And he certainly  has a talented group of musical compatriots helping him achieve his  musical vision. This debut recording is a delight from start to finish.  Can’t wait to hear more from Mr. Lavender !!!

- Reviewed by Mark Thompson, President of the Crossroads Blues Society,
  for Blues Blast Magazine
  www.crossroadsbluessociety.com

January 21 - 27, 2010 | 9:10 AM

(Article)

International Blues Challenge on Beale Street

The 26th Annual International Blues Challenge (IBC) takes over Beale Street this weekend, with events happening up and down the strip Thursday, January 21st, through Saturday, January 23rd.  Sponsored by the Blues Foundation, the IBC brings unsigned blues bands, duos, and solo artist from all over the world to compete in the genre's biggest and most prestigious "battle of the bands."  Semifinal competition will take place on Thrusday and Friday at participating Beale clubs.

The finals are Saturday at the Orpheum Theatre, with solo artists and duos squaring off at 2 p.m. and bands competing at 7:30 p.m.  In addition, there are tons of ancillary activities, including a youth showcase in Beale clubs during the day Friday, and the annual Keeping the Blues Alive Awards ceremony Saturday morning at the Doubletree Hotel.  Also on Friday afternoon, Memphis-based music company Blind Raccoon will take over Rum Boogie Cafe and King's Palace Cafe for their own pair of showcases, featuring artists such as Davis Coen, Billy Lavender (pictured), and the Jon Justice band.  For more info on the full range of IBC events, see Blues.org

- Chris Herrington

January 13, 2010 | 4:10 PM

Memphis Livin'

Reviewed by Rick Davis

Crossroads Review -- Blogspot

While growing up in Memphis, Billy Lavender was influence by artists like Mark Farner of Grand Funk Railroad, The Beatles, Eric Clapton, and Jimi Hendrix. Learning from some of the masters, he developed one of the best blues and R&B guitar styles in town. He recently joined with his friend Steve Bryson of I55 Productions LLC to produce one incredible cd with an all-star cast.

Joining Lavender are Brad Webb on rhythm and slide guitars, dobro, sitar, and backing vocals, Tony Adams on drums, percussion, and vocals, Dan Cochran on bass, Maria Spence on backup vocals, Russell Wheeler on the Hammond B3 organ, piano, and strings, Reba Russell on vocals and backup vocals, Blind Mississippi Morris on harmonica, Ken Dinkins on vocals, Vince Johnson on harmonica and vocals, Mike Stoker on bass guitar, and JoJo Jefferies on backup vocals.

The opening number "Singing The Blues" now gets air time, featuring Tony Adams on vocals and Lavender and Webb tearing it up on guitar. "Let's Party" really rocks with Reba Russell, one of the hottest blues singers today. You can get a sample of just how good Billy Lavender can play guitar on this number with Blind Mississippi on Harmonica. Ken Dinkins steps up to the microphone on the next R&B smash "Tonight" with a sweet blend of Lavender's guitar and Wheeler's B3 organ. Vince Johnson is featured on harmonica on the funky original "Just Chillin". Johnson continues on vocals with "Cold As Ice" sounding like the great Sugar Blue on harmonica. "Get Along" is one of the few cuts featuring Lavender on vocals with Webb backing him with his boogie woogie style piano. This one will get you on your feet in a hurry. The next number "Blue", one of the best cuts on the cd, features the sultry voice of Reba Russell blended with the sound of Brad Webb's sitar. Vince Johnson absolutely smokes on harmonica and vocals on the shuffle "Shake It" with Lavender coming in on guitar and Dan Cochran keeping a strong bass technique throughout. The band slows things down again with "Bottom Line" featuring the powerful voice of Reba Russell. The entire band is very strong on this song as they are throughout the entire album. Tony Adams comes right back growling on vocals with almost a swamp boogie opening on "Bad Boy" with Lavender hotter than ever on guitar. Johnson steps back to the microphone with the minor key blues number "3AM" forlorn because his "baby" has not returned home. Russell Wheeler brings out his incredible talent on the B3 with Billy Lavender playing his lonely guitar solos. Lavender returns to the vocal mic in "All The People" with a host of backup vocals. With Brad Webb playing the dobro and Lavender again blending his vocals with other backup vocals "If I Could" almost sounds like a number written for the Fab Four. This remarkable cd closes with Tony Adams belting out "Delta Time" much like an early Cream blues number with Billy Lavender matching an Eric Clapton style guitar solo.

This Memphis style album of soul, R&B, and blues would get my nomination for best blues album of year! I would have to say this one sizzles!!!

- Steve Jones

January 5, 2010 | 1:52 AM

"A long-time feature on the Memphis music scene, Billy Lavender is a native of the city, a left-hander who plays right-handed guitar upside-down and who got his first musical inspiration from rock band Grand Funk Railroad - now he is an excellent all-round player.  For this set he has assembled a cast of local musicians - most likely to be familiar are harmonica man Blind Mississippi Morris and his frequent accompanist, Brad Webb on guitar, but vocals are shared around several top-notch singers and stylistically the music runs the whole gamut of Memphis sounds.  Rocking Blues ("Let's Party" which has Mississippi Morris laying down some fine harp) to sweet soul, rockabilly to tough funk, moody rock to a Beatles inflected item, blues-rock to country; you'll find it all here.  Vince Johnson takes front-man duties on several tracks, including the slow-ish blues "Cold As Ice" and the jazzy rocker "Shake It", and he also supplies some fine wailing harp.  The overall feeling is of a bunch of friends jamming together and having a good time playing music they - and you will - like.  A lot."

- Norman Darwen
 Blues Matters

January 5, 2010 | 8:59 PM

"Guitarist, Billy Lavender, has not been in the business of recording in his own right for very long.  While Lavender may be a new name to many, several of his supporting cast (including Brad Webb and Blind Mississippi Morris) will be familiar to BiB readers.

Lavender mostly lets his guitar do the talking, and it speaks very well for him.  He supplements his own vocals with guest vocalists (Tony Adams, Ken Dinkins, Reba Russell, and Vince Johnson).  As you would expect for a Memphian, there is a soulful feel underlying most of the music on offer, even the rockier songs like "Singin' The Blues" and "Let's Party".  It is strongest on the excellent instrumental "Just Chillin", and the fine balladeering of "Bottom Line".  Elsewhere there are even shades of Steely Dan ("Blue") and even CSNY ("All The People").  The band set a high standard throughout, although it does wane slighty on the last couple of tracks.

Billy Lavender's "Memphis Livin" is a good album.  Lavender is a fine guitarist and songwriter, and also a good vocalist.  Supported by a fine cast of musicians, it all adds up to an entertaining way to pass an hour."

- Gordon Baxter
  Blues In Britain, UK print magazine

January 2, 2010 | 3:04 AM

"We did indeed receive Billy's latest CD.  We have scheduled 3 cuts to receive air play.  "Let's Party" "Cold As Ice" and "Shake It".  I think our listeners will agree that Billy is an artist worth listening to."

- Ray Hansen
  Blues Therapy Show
  KWCW
  Walla Walla

December 31, 2009 | 2:42 PM

"I'm on the Billy Lavender release.  You can tell they had a lot of fun in the studio, it comes across on the CD.  Nice variety of material."

- Chuck Haddock
 The Fish Fry
 KCUR FM
 kcur.org
 Kansas City, MO

December 31, 2009 | 8:00 AM

"As far as Billy's CD goes - Very nice!  Solid, mature effort, and I like the fact that he's a musically sharing guy - putting together a great lineup.  Some of m favorite Memphis folks are on this Disc - I LOVE REBA - She's a huge star up here in Quincy - played our Fest several times over the years - and Headlined it last time she was here - even selling 100 CD's that night!  Brad Webb has played our Fest several times in several Bands, and has helped us bring up Memphis talent several times.  And Morris has played in town a couple times also.  So, I love getting the disc with an All-Star Memphis lineup!  I will be including several tunes from this one on both of my shows in the month, though new shows on my WQUB shows until Mid-February.  Billy's music will be a nice addition to the Memphis folks I've introduced to our local blues fans."

- Jerry Davis
 WQUB
  Quincy, IL

December 30, 2009 | 10:56 PM

"I really appreciate any and all CDs that you send my way.  The Billy Lavender CD is very enjoyable with a wonderful array of Memphis talent.  It's nice to know that your town has top notch players/artists like this."

- Linda Cain
 www.chicagobluesguide.com

December 30, 2009 | 9:21 PM

"Great release!  Have played "Let's Party," and "Cold As Ice" so far.  Will be playing other tracks soon!"

- Ted Todd
 The Blues Show
 98.9 KKZX
 Spokane, WA

December 30, 2009 | 4:15 PM

"I really liked this CD... Have asked one of our writers to review it for the Mar/Apr Blues News."

- Billy
 Blues Society of Tulsa

December 30, 2009 | 2:57 PM

"Billy's record is in rotation and getting light spins... it's a solid body of songs and it will land in our permanent library once it's out of our new music area."

- Suzanne Cheavens
 KOTO Music Director, etc.
Telluride, CO

December 30, 2009 | 1:50 PM

"Must have forgotten to send you the link:

www.moorsmagazine.com

Great album!"

- Holly Moors
 www.moorsmagazine.com
The Netherlands

December 30, 2009 | 1:16 PM

"Tell Billy we like it a lot!  He's going to crack our top 25 this month, with a bullet!"

- Frank Goza (Freewheelin' Franklin)
 Blues Breakfast
 WBGU 88.1
 Bowling Green State University
 Bowling Green, OH

December 30, 2009 | 11:44 AM

"Billy's going to be close to the #1 spot for December.  Cheers!"

- Jeff / WMHB
  Colby College, Waterville, ME

December 30, 2009 | 11:41 AM

"I thought Billy's CD was solid and had a few really strong tracks."

- Roger Gatchet
 KVRX, Austin

December 30, 2009 | 11:24 AM

"It is in my Top 25 that I will be sending to Living Blues."

- Robert KSPQ
 West Plains, MO

December 29, 2009 | 1:16 PM

"I inform you very happily, that the criticism of the CD is ready.  It's good! 

Brad Webb, Dan Cochran, Russell Wheeler, Reba Russell, Vince Johnson, Blind Mississippi Morris and the others, have gained reputation on the legendary Beale Street and who holds out here, can count on success at every stage in the world - but their qualities are proved with their common record as well."

- Attila
 http://www.bluesvan.hu/

December 19, 2009 | 1:14 PM

Review: Billy Lavender - Memphis Livin

http://www.bluesinthenorthwest.com/

Memphis guitarist Billy Lavender received his first guitar 40 years ago and learned to play right-handed instruments left-handed and upside down, and after gigging for years in various syles has put out this fine blues album, with friend Steve Bryson of I55 Productions LLC, with "Memphis Livin" being produced by noted guitarist Brad Webb, and also featuring local talent such as Reba Russell, Blind Mississippi Morris, Vince Johnson, and Tony Adams, amongst a host of others.

Over the 14 tracks Lavender mainly lets his guitar do the talking, but only contributes a few vocals, with the rest shared by the afore-mentioned Reba Russell, Tony Adams, Vince Johnson, and also Ken Dinkins.  The result is a very enjoyable modern Memphis album - lots of great blues, soul grooves, and some very radio friendly tracks - with the guitars of Lavender and Webb, coupled with Russell Wheeler's sparkling Hammond B-3 recreating some of the immortal Stax feel.

The second track "Let's Party" is a standout, a rip-roaring blues shuffle, with Memphis blues/soul queen Reba Russell on vocals and some lusty harmonica from Blind Mississippi Morris - Brad Webb's long-time musical partner; the pretty "Tonight" sees Lavender on all guitars, with impressive soulful vocal from Ken Dinkins.  The instrumental "Just Chillin" rides on a funky groove, not a million miles away from David Bowie's huge hit "Fame" - this with Vince Johnson doing the harmonica honours, and featuring the tight rhythm section of Tony Adams (drums) and Mike Stoker (bass).

"Cold As Ice" is a nice mid-tempo blues with more fine harmonica from Vince Johnson, who also takes the vocal on this cut.  Billy Lavender cuts loose on guitar and vocals on the roadhouse rocker "Get Along", leading to the lovely "Blue" - again with Reba Russell on vocal, electric sitar from Brad Webb, which recalls the Steely Dan classic "Do It Again" - very nice indeed!

The ensemble rock out on "Shake It" - another uptempo blues shuffle that features Vince Johnson - with the big ballad "Bottom Line" shifting the pace again, and star-of-the-show Reba Russell on smouldering vocal - if ever a track was made for radio, this is it!  The big hook on it given extra feeling by Brad Webb's striking baritone guitar work, and Billy Lavender's stinging lead lines.

Elsewhere, the lowdown "Bad Boy" has a funky riff from Lavender and smoky vocal from Tony Adams; the soulful "3AM" catches that classic Memphis sound, with the sparse "If I Could" almost in The Beatles territory, with just Brad Webb's Dobro and Lavender's vocal and guitar.  The closing "Delta Time" is, unsurprisingly, a swamp blues - a fine end to a most enjoyable release.

- Grahame Rhodes

November 24, 2009 | 8:19 AM

"Just a quick note to let you know I recieved this impressive release of Billy Lavender's "Memphis Livin".  In fact, I plan on opening my show with a couple of cuts from it this afternoon.  Thanks for making sure I got a copy to treat my listeners to."

- Al Lundy / Highway Blues
www.highwayblues.org
www.kzum.org
Highway Blues

November 20, 2009 | 12:23 AM

"I'm listening to it.  It's a discovery for me.  This man has a great energy, he can play in various styles, that's an advantage : the listeners are caught and attentive all along the music.  I love."

- Serge WARIN
 Radio Canal Bleu
 OBJAT
 France

November 18, 2009 | 8:34 AM

"Have just finished listening to Billy Lavender's CD and enjoyed most of that too.  Loved the use of the sitar and I am a great lover of Hammond so loved the playing of Russell Wheeler on a number of tracks.  Tony Adam's vocals are also very good.  What a powerful voice!"

- ASHWYN
 Digital Blues Gateway

November 14, 2009 | 12:35 PM

www.bluenight.com

Memphis guitarist Billy Lavender has established a nice reputation in his hometown over the past several decades with his mix of blues, rock, and R&B influences, ranging from the Beatles to Grand Funk Railroad to Eric Clapton and Jimi Hendrix. He mixes all of these styles together on Memphis Livin’ (I55 Productions), which features him in tandem with a host of local singers and musicians, tackling a wide range of music with roots in the Bluff City.

The disc benefits from a talented group of vocalists, including drummer Tony Adams, who ably handles a trio of tunes (the soulful opener,“Singing The Blues,” the blues/rock shuffle, “Bad Boy,” and the closing swamp rocker, “Delta Time”) and Memphis soul belter Reba Russell, whose three tracks include the appropriately titled “Let’s Party” (which also features a fiery harp solo from Blind Mississippi Morris), “Bottom Line,” a mellow pop tune, and “Blue,” an interesting song with sitar from producer Brad Webb, who also contributes slide and rhythm guitar on multiple tracks.

Singer/harmonica player Vince Johnson gets three vocals, the slow blues, “Cold As Ice,” the uptempo “Shake It,” and “3 AM,” a late night soul/blues, and Ken Dinkins does a splendid job with the pop-styled “Tonight.” Lavender even takes his turn behind the mic on the rockabilly raver, “Get Along,” and a pair of songs, “All The People,” and “If I Could,” where his confident vocals lean more toward ’60s era pop/rock. “Just Chillin’” is a funky instrumental showcasing Johnson on harmonica and Lavender’s guitar.

Lavender’s fretwork is impressive, comfortably moving from blues to soul to rock without breaking a sweat. He also wrote or co-wrote most of the music on the disc. Memphis Livin’ is a wonderful tribute to the music of the Bluff City that rocks and grooves from start to finish in the finest Memphis tradition. It comes off as an informal session between longtime friends playing the music they know and love. Blues fans should not let this one slip past.

- Graham Clarke
 Blues Bytes

October 20, 2009 | 9:13 AM

Inaugural Album from I55 Productions LLC

www.blindraccoon.com

Memphis native Billy Lavender, in conjunction with I55 Productions LLC, assembles an all-star cast of Blues musicians to create "Memphis Livin", a unique homage to the talented artists straight off of Beale Street. Performing alongside Billy are musical legends Reba Russell, Blind Mississippi Morris, Brad Webb, Vince Johnson and Tony Adams to name just a few.

It’s a mighty long way from the figurative tracks of the Grand Funk Railroad to real funky Beale Street in Memphis. Guitarist William "Billy" Lavender has made that journey, in the process shedding bombast for soul and true inspiration. He was born December 2nd, 1959 in the city on the Mississippi named for the first capital of ancient Egypt that united two kingdoms, and Memphis could well be seen as uniting two cultures to create rock ‘n’ roll. Lavender took the initial influences of Mark Farner and then the Beatles, Eric Clapton and Jimi Hendrix and eventually spiced them with the sonic BBQ sauce of the blues and R&B of his hometown to create a personal musical statement.

Lavender received his first guitar 40 years ago and learned to play right-handed instruments left-handed and upside down. After countless gigs in a variety of genres and being hailed as the "go-to" guitar cat in town, he has joined forces with his friend Steve Bryson of I55 Productions LLC for "Memphis Livin" with a cast of top-flight local musicians, including numerous vocalists. Produced and engineered by veteran axe man Brad Webb, who also contributes guitar, sitar, bass and backup vocals, it is an enticing 14-song set of originals that range far and wide. "Singing the Blues" originally appeared on an album by harmonicist Blind Mississippi Morris and is pure Memphis soul featuring vocalist Tony Adams, who also plays drums, along with tons of hot picking from Lavender and searing slide guitar from Webb. Sultry singer Reba Russell sounds particularly convincing on the shuffling toe-tapper "Let’s Party" as Morris attempts to blow the reeds out of his harp. Ken Dinkins displays his velvet pipes on the pop Philly soul of "Tonight" as Lavender plays it sweet and melodic. Laid back, booty-shaking funk on the instrumental "Just Chillin’" provides a break before the long, late night slow blues of "Cold as Ice" allows Vince Johnson to sing like B.B. and blow harp like James Cotton.

Leader Lavender takes a rare lead vocal on the rockabilly "Get Along" with a social message borrowed from Rodney King. Reba Russell returns for the atmospheric, mid-tempo pop rock groove of "Blue" that contains exotic sitar from Webb. Taking yet another sharp turn, the band launches into the charging shuffle of "Shake It" as Johnson comes back exhorting and blowing the Mississippi saxophone while Lavender solos with consummate taste and swinging authority. Russell again leads the way on the anthemic "Bottom Line" that contrasts with the medium shuffling, blues rock of "Bad Boy" that has Tony Adams growling and beating the skins as Lavender throws "snakes" from his guitar. Johnson steps forward to sing pleadingly and play harmonica on the melancholy minor key blues "3AM." Reminiscent of "The Thrill is Gone," it contains an emotion-laden solo from Webb with a dash of jazz, and one from Lavender that succinctly expresses the ache of a broken heart. The boss again steps in front of the lead vocal mic for "All the People" that echoes the Fab Four, as does his lead singing on "If I Could". The set closes with the heavy levee blues of "Delta Time" as Adams gets way "down in the alley" and Lavender layers lead and rhythm guitars in a nasty, churning instrumental stew.

In this age of histrionics and pretension in the blues, it is refreshing to hear an experienced musician backed by his friends and having a great time playing all the music he knows and loves. It is a great tribute to Memphis and all involved.

- Dave Rubin,
 Recipient 2005 KBA Award in Journalism

September 9, 2009 | 12:00 PM

Memphis: I55 Productions...what's cooking?

www.americanbluesblog.com/2009/11/memphis-i55-productionswhats-cooking.html

Tonight we visit with old friend Brad Webb who is the engineer and main man/producer/guitarist for I-55 Productions, a new label out of Memphis, Tennessee. Steve Bryson is the Executive Producer and President of I-55 and Steve is a noted entrepreneur and owner of many successful businesses.

I met with Brad and Steve recently and was delighted to learn that Steve has been appointed to the Board of Directors for the Blues Foundation. These guys are not only honoring the blues but taking proactive measures to release new music and promote blues artists.

From their website:

"I55 Productions LLC derived its name after the main highway traveling through Memphis, Tennessee. The idea behind the record label came from a Memphis native who found himself looking for ways to share some of the best local talent in his beloved hometown with the rest of the world."

I-55 has bought the old Mempho label record catalog and will soon release such great blues artists as the late Willie Foster and my old friend and band mate Fred Sanders, who played for decades in Memphis at one of the city's first big blues club, Blues Alley(now defunct) and also played tons of gigs around town and even in my band for at time.

Willie Foster's last cd, "My Inspiration," will soon be released on I55. I was fortunate to play keys on the recordings (and even a harp solo on one of the tunes). It is a fine blues cd and Mr. Willie played and sang with vigor on it despite his diminishing health.

He was a double amputee and was playing the blues from a wheelchair during this time. A couple of days after his second leg amputation, I saw him play a gig at the Black Diamond on Beale Street. The club owner, Bob Harding, worried about Willie's health , told him he did not have to play his last set that night. Mr. Willie was indignant and assured Bob that he WAS going to play the last set as he had promised the crowd he was coming back and he "would not let down all those nice people." Ain't that a man?

I-55 has signed Billy Lavender and they have already released Billy's cd, "Memphis Livin". It feature's performances from my friend and former band mate Tony Adams on drums, Brad and Billy on guitars, and Brad, Danny Cochran and Mike Stoker on bass parts.

Reba Russell, Tony Adams, harp man Vince Johnson all share the vocal tasks with Billy Lavender. Blind Mississippi Morris also plays harp on one of the record's tunes.

This is a fun blues based rocking Memphis record that offers lots of variety of sounds. The record has met with excellent reviews and I particularly like the Reba Russell song on the cd.

Tony Adams is also famous for writing a great book called "Drum Tuning Theory" and has worked as the drum tech with such fine artists as Matchbox 20 and Creed. Tony and I played lots of gigs with Brad Webb and Dan Cochran in Blind Mississippi Morris and the Pocket Rockets blues band. Here's a link to Tony's site where you drummers can check out his cool book:

http://www.tadrums.com/tad_book.htm

Brad has played and worked with Blind Mississippi Morris of the past 15 years and I shared a great experience touring England as keyboard player in Morris' band with our friend, Eddie Juke in the year 2000. Eddie has a cool studio in Mansfield, England and here's a link:

http://www.eddiejuke.com/index.htm

Over the years Brad has cut (engineered and performed on)5 cd's on Morris. Brad is now employed full time with I55 Productions but Brad and Morris still perform frequently at B.B. King's in Memphis.

As you can tell the label is embarking on lots of projects, not the least of which is a cd on my old friend Phillip Dale Durham who became famous for his fine drumming and singing with the band, Moloch, which recorded here in Memphis in the 1960's. The band, featuring Lee Baker and Don Nix, was famous for the recordings "Goin' Down" and my favorite, "Same Old Blues," which Phil just sings the hell out of both on the record and in live performances.

Phil and I have played in all sorts of bands over the years including an impressive stint we did with an Elvis impersonator and Phil is a delightful person and a monolithic talent. He constantly smiles, tells jokes and delivers some screaming vocals to this very day. As one of the unsung heroes of Memphis music, a celebration of Phil and his music are a well kept secret that is long overdue for being manifested to the world.

I know the music world is looking forward to hearing all the new products that I55 will be putting in the market. I will provide updates from them as time rolls on.

- Robert "Nighthawk" Tooms
 American Blues Blog

September 8, 2009 | 11:48 AM
 

BILLY LAVENDER

MEMPHIS LIVIN'

I55 PRODUCTIONS LLC

SINGIN' THE BLUES -- LET'S PARTY -- TONIGHT -- JUST CHILLIN' -- COLD AS ICE -- GET ALONG -- BLUE -- SHAKE IT -- BOTTOM LINE -- BAD BOY -- 3AM -- ALL THE PEOPLE --IF I COULD -- DELTA TIME

"Memphis-born Billy Lavender got his first guitar at age ten, in 1969.  Being a southpaw, he learned to play right-handed instruments upside-down, and influenced by Grand Funk Railroad, Hendrix, and Clapton, it wasn't long until he was one of the top session cats in town.  He's known for a rock-tinged sound that's spiced with the down-home blues of his roots.
Billy has teamed with Steve Bryson of I55 Productions LLCto release "Memphis Livin'," fourteen cuts of the blues in various hues, all held together by Billy's tremendous chops and that decided "Memphis feel" that comes from a lifetime of absorbing the sounds that eminate from that culture-rich city.

He's also joined by an "A-List" of backing musicians that are some of the best on the Bluff City scene, including Tony Adams, Blind Mississippi Morris, Reba Russell, and Ken Dinkins, to name a few.  Adams kicks things off with one of Morris' tunes, "Singin' The Blues," punctuated by some fine interplay between Billy's lead and Brad Webb's slide.  "Shake It" is a mean slice of North Mississippi juke joint boogie, beefed up by Vince Johnson's harp and vocals.  Funk is the name of the game on the predominantly-instrumental "Just Chillin," and the set-closing "Delta Time."  Each are buoyed by swamy backbeats and lead riffs that'll leave you wanting more.

We had a whopping four favorites, too.  Mississippi Morris adds harp to the infectious vocals of Reba Russell on the stop-time toe-tapper, "Let's Party."  The other three showcase Billy's vocals as well as his guitar lines.  Remember back when the Beatles wanted to record "Revolver" in Memphis?  Billy must've been captivated by that scenario, that, sadly, did not come to fruition over, as McCartney put it, "a little thing called money."  However, on this set, Billy brings Beatle-esque harmonies and themes of love in two cuts, "All The People," and "If I could."  And, Russell Wheeler's pile-driving piano drives the rockabilly-tinged ode to Rodney King's infamous question, entitled "Get Along."

Billy Lavender has shown us the varied sounds of Memphis thru the six strings on his guitar, and his friends that help him out on "Memphis Livin' make this one indeed an enjoyable ride!! Until next time...Sheryl and Don Crow."

- Don and Sheryl Crow
 Nashville Blues Society Review

September 4, 2009 | 9:25 AM

"When Memphis diva, Reba Russell belts out, "Let's party!", she sets the tone; be ready to party as hard and long as if you were spending Saturday night on Beale Street.  Guitarist Billy Lavender plays it all from gritty rock and roll to rockin' blues.  Add in some of the city's finest like Russell, harp master Blind Mississippi Morris, guitarist Brad Webb, and vocalists Tony Adams and Vince Johnson and Lavender's partyin' with the best.  Fire up the wheels, put a little Lavender in the CD player, and you'll be hanging' on Beale wherever you ride."

- Art Tipaldi
  Contributing Editor, Blues Revue and Blues Wax

September 3, 2009 | 1:46 PM

"The sizzling fusion of blues, soul, and R&B on the compilation CD MEMPHIS LIVIN by Billy Lavender could have only originated in Memphis and have only been created by master guitarist Billy Lavender.  This is one of the most uniquely original and satisfying albums of the year.  Throughly Entertaining."

- Joan Turner - Freelancer

September 3, 2009 | 9:17 AM

"Memphis Soul and Blues veteran Billy Lavender has put together a fine album of different voices all working toward one goal... sweet, soulful blues.  With his own world-weary vocals and sparkling guitar,  Lavender leads a cast featuring the ethereal vocals of Reba Russell and the sandpaper smoothness of Vince Johnson's rich pipes."

- Jim White, BlueNotes
  community.post-gazette.com/blogs/bluenotes/

September 3, 2009 | 9:03 AM

"Memphis Livin' is a wonderful tribute to the music of the Bluff City that rocks and grooves from start to finish in the finest Memphis tradition.  It comes off as an informal session between longtime friends playing the music they know and love.  Blues fans should not let this one slip past. "

- Graham Clarke,
 "Blues Bytes."

August 27, 2009 | 5:24 PM

"So you've just bought a copy of Billy Lavender's new disc, "Memphis Livin." Don't play it just yet.  Invite a few friends over, serve up some perfectly done ribs and pitchers of ice cold sweet tea, then crank up the music.  This is a total Memphis experience.  From the opening infectious groove of "Singin' the Blues" this record is drippin' with Memphis soul, much like those ribs you're eating.  With a host of top notch Memphis musicians along for this ride, Lavender serves up fourteen tracks of original tunes that truly run the gamut of emotions. Among the many highlights are Ken Dinkin's great vocal take on "Tonight," the wonderful voice of Reba Russell on her lament to lost love, "Bottom Line," and Vince Johnson's deep bluesy rendering of "3 AM."  All the musicians are in fine form, with an extra nod going to the outstanding guitar work of both Lavender and Brad Webb, the right on time percussion work of Tony Adams and the remarkably soulful keyboards of Russell Wheeler.  If you love Memphis sound, this modern day version will whet your appetite right away.  And just like those barbecued ribs, one helping of this record won't be enough.  Go ahead, get yourself seconds of "Memphis Livin."  You can thank me later."

- Brett Fleming "Soul Stew" WEVL

August 27, 2009 | 5:16 PM

" BILLY LAVENDER/ Memphis Livin':  You can talk all the bullshit you want about in the tradition of this and in the tradition of that, but Lavender is a real throwback to the golden age of Memphis when Chips Moman and Stax could duke it out for your ears without really throwing any punches at each other.  What this set is a throwback to is the golden age of diverse sounds pouring out of college dorms in that golden musical period between Woodstock and disco when anything went and the under the radar buffet was so well stocked your ears always rolled away from the table stuffed but ready to come back for more.  Memphis music was multi-cultural long before it was hip, and back then it all sounded like greezy bbq music.  This set by upside down guitarist brings it all back in fine form. 

If you're looking for a no holds barred good time, set sail in this direction."

- Volume 32/Number300
  MIDWEST RECORD
  Lake Zunich, IL.
  CHRIS SPECTOR, -Editor and Publisher